Tuesday, December 18, 2007

Can I Give Sudafed To My Cat?



PRELUDE

his waist was wrapped between spray arrevoles of morning and evening. We would find their housing
skin tears languid, lethargic stunned her mouth nuts, cherries and spice to the Oromo wind.
Swabians, eternal, lips
dissolved water, memories of others and a bunch of fear embodied in the whiteness of his chest ..
his black hair, her rosy lips, her white skin.
his black hair, her rosy lips, her white skin.
black hair, rosy lips, white skin.
hair, lips, skin.

absent swarm of young, fragile and agile legs beating.
in exhaled hungry shoal dreamy sigh ... I want concrete

weak ..... your life is worth more than mine ......

Wednesday, December 5, 2007

Late, Light Period Bright Red Blood



his body lies Lying, lying and his weak soul lies dormant, dormant weighing her eyelids.
For walk subtle body memories that shrouds caress on subtle body walk memories burn like fire. The tremulous shadow play with the bright sun pours afternoon to fill the empty hearts, empty, it was, the empty void that glowed like a diamond.
An ideal day to die, because it has the sun on your face and leaves frolic aimlessly into the wind, fresh,
calm, quiet
ironic
heart drowned
denuevo empty.
And of course he feels his skin on top, and obviously does not know which is real, her feet wet. I wish time did not exist and pass the second music lover with a note on the lips of the knight errant, his armor melted of3 au arrevoles naive high picture and back warm. Static
remains tasting the tears that is unable to mourn, covered in a memory of desert
and longs to revive
and longs to return to dream,
feel the desire of the morning breeze between the sheets of leaves smiling falls.

____________( When I have time, I will XD )___________________

Friday, September 28, 2007

Cctv Scan Of Inguinal

poplar dream someone tells

.. someone tells him that's not true that the moon does not feel ... because if you feel ...
... someone screaming at me that I get out of hand ... because it reacts ...
... someone should tie my skin bastard ... it calls for a breast humble to take shelter ..
.. somebody tell me ... because I get tired of saying it ...

tired of giving me the wrong move that I left the edge of the balcony, the mysterious way in which control of my blood I took nothing but my instinct, the same gnawing inside me to swallow a pill combines the 29 I took your bedside table, the 29 s to give reasons that my lungs run out all the air revoked by the fear and covardí, the bravest and behind covardía ... Sometimes saying goodbye is aware ... Sometimes saying goodbye is to surrender ... sometimes I say goodbye ...

for wanting to not look at me! Why do not you kiss me! Why, if your meat is scorned in the same way that my bad legs tied to moss that extolled bohemian night alcohol and smoke ..! SMOKE THE SAME AS AN EVENING I wrapped TO A COLD ROOF: up your cold roof.


misses you
asks
loves you cry ...
c'mo
but loves you, if you do not see that it has hanging from a tree, not see his feet off the ground, away from the land lie at the height of your eyes!
HOW ARE BLIND!
! HOW BLIND YOU BEEN!

who drowned
THAT IS DEAD

remember the moonlight that bathed the last night where the silence filled her heart, so great was your silence that your heart's fragile fairy carried out with the pain become a legend.
and also wanted it to be an angel? as there were, it was only a faint end and the roses withered and covered the fall and spring rivers hid your eyes broken by a sword tanning
glass and steel the land learned to get tarred and her dress ... muddy ... spoiled .. his hair matted and labeled lásgrimas

... you let her die ...
die ... you're leaving ...

Monday, September 24, 2007

Put Alcohol On After Waxing




Wind effulgent and fearful of what could happen when gentle breeze blew the hair of both shadows numb with fear, fear that their souls could do (...)

moon two black cats and trembling twilight went into the abyss that had eyes (...) and lost ... and lost

Who cried that cold night that the moon does not sing the song faint?

Who cried that night and the loneliness of two twinned body through the skin of an innocent and sweet history of injury?

and two hearts cold cast into oblivion ... the silence that reigned over a city lucez under the eye level ... tucked in their views on a roof, remote time and bonds, forgotten the speech and the bitterness, left underthe pillow concept and unleashed the glow of desire to mourn ...

two behind and foreign body superimposed on the night and on the road ... two names remembered by your hands away from reality ...

.... What if there ?....

Tuesday, July 10, 2007

Sew In Weave With Side Bang

Damage and sweetness ... Excerpt ... PS Paul's friend is not always the best way out, down the memory persists here and blame we fall. cn

PART I

... night with me and santiago not bloody, as the song says, it helps me cope. How much can one endure? every emotion is contemplated face to face and how harsh it can be repeated as .... how painful it can be my silence ..... Rose buried a long time under the tears of a sacrifice, buried it thinking that it would not hurt to keep under my bed dry ezpinas ... eimpas and forget it during the story Suigen
.... as I said, the night did not accompany my steps and that! I could import that there was no tomorrow, will not find that "one love", that the earth did not have that smell of wet that I love, the sun does not dazzle my hands plowed, that the earth opened and did not give out more than gray and heavy smoke cover my life? IMPORT. matter because I find, I plow my hands, I sound my belly rip each strip and pose on my smile ... Te Quiero ...
.... The akcohol began to exert effects on me I would not expect to find sitting on the edge of the balcony, "SKIP FEED, who loses?" how many times have I thought not .. how many times I have been at the edge of an impending crash and I chickened out ... have spilled much blood for today to say no kiero fall, they do not want my paranoia fragment my being, I DO NOT WANT TO DROP MORE!
for that I need your support
couple
I need your eyes to why I need your arms ready to pick
for that I need your voice to yell
for that need your feet
not forget the way you need, do not know who You are, But you need

... I just met a stranger in my way .. Who are you? I found you in the middle of one of my many trips to the sun, but this time I burn your hands. To think that I have for so long before my eyes, forehead to my lips, face all I can remember ...

few days ago I heard that you cut the wings, WHY? I miss you every minute, without even knowing I think, you cry, te kiero ... TE KIERO .. How more I tell you !!!!! I can not ensure that old and die together, but if you Por Ti Daria La Vida .. I have ointentado free herself from her again and with a pattern and ...

cold enters the evntana ... DO YOU KNOW THAT TIME I LOOK FOR MY WINDOW AND I had not already dawned ACCOUNT? Tive many fear, the blood freezes, do not breathe, there .. little by little you become a dead leaf can never touch the ground

................................. ....... He continues ...........................................

Saturday, July 7, 2007

Can Genitial Wart Be Spread By Kissing

love ... Let me be hurt ...

... more than six kilos, family, alcohol and one night calling me to drink my blood ...
I could not join that part of my heart that this life with my half still living ... I has become a daunting task, but it is then necessary to follow exactly to overcome these tears that drown me, it's not avoid the fact that my feet do not know where to go peak is not random breeze shock me with anguish and I feel lost ... is not by chance that I've crossed your caminoy let alone not have the courage to look into your eyes ... is no mere coincidence that when I watch I see each of your sighs and silent immolate cualqier attempt to talk that is generated from my chest ...

have no idea, or because you have it, indented than that I can get to find but if I do not inport soon as these you ... that although life will paresca a waste of energy and no longer appreciate more, I note that to make you my faith, to think of you in pain and not let you down-only. that polar volceresmos us without realizing it and we will hurt us (we know that love lovers, this is commonly called LOVE)
... Adeje voi me make note of music for your cold hands and pretend to take the spirit tied to pretend pretend theater all night until they where together our bitterness bitter watching the star without touching away from our true love not to lose ... kiero not miss one more piece of my skin ... Not Me Let fall! do not become another puppet more out of the shadows of the heap!

... desepcion not kill me with, but slowly pouring with a kiss every one of the drops that achieve the color of my cheeks sonrozado ...

... DO NOT FORGET TO DEFEAT MY TEARS WITH FEAR THAT VIOLATE YOU KNOW YOUR LOAD ... I inport it has been with you before or what you wear on you ... Te Voy A Querer Yet ...

Wednesday, June 27, 2007

How Do I Remove A Thule

"broken stars, PeDeZoS mine"

Weeping Hear my voice choked with a tear on the cheek ... THaT crisply hear my ideas without have minimum capacity to understand what just happened front of me: A Storm That bitch has done nothing but that puzzles.
it in my head the slightest idea that I have not done more than anything at this time ... and spend more to breathe air, creating a source of CO2 production over
(...) I do not give more than to walk barefoot down a path that I dare not know, that I have become cowardly lump-I intend! I did not move or walk in the dreams of the future, future ?.....

Wednesday, May 30, 2007

Yorkshire Pudding From Sticking

memories alive by a night without finding

veses I think there is much I would like to embrace each person who passes through my life .....
if only I knew they would need the distance that separates our bodies, because basically no more than that ... physical distance that isolates us from each other, that barrier that exceeds our hearts ....
vese there who wanted to get away from everything and vover to land ... to the motherland enjendró us all and lost in the mud one day we emerged last ... but step by step I fall apart, that's when I fear not being able to embrace that love for life ... when fear away from the smell of wet earth and feel no more the wind that hits the face just for the pleasure of showing that I'm alive ....

santiago look at night with that cold that is characterized, I get lost among the lights trying to understand we walk every day without looking at the faces ... on each side try to see the sparkle in the eyes of my past haunts me. gulped with a bitter feeling, a hybrid mix between melancholy and yearning for looking forward, not spend pages burn with the piece of mind we want to come off, but not this just a way to hide that we have passed a series ... incinerated without realizing what we believe does not hurt to follow a process like the phoenix, that of the cenis reborn, reborn filling our heart with our tears drops recycled ... the wonder is that by accepting the endings are not always as happy as we build that have integrity that makes us grow ....

the sun shines every morning to see if we find a way ... but no light is needed to locate but the silence of our souls and one day when we will have the eyes can enjoy the sunshine.

Saturday, May 12, 2007

Keratolysis Exfoliativa Treatment



I was an easy decision to make a blogg ... I'm not sure I kiera but is one of those things that beat me in and I can not take off until I bust the processes developed with the idea ...
years writing on napkins, paper rusty, clothing, tickets arms and if I gave the computer some waiting time not to lose the text and today, a quarter to eleven, I decided to let off steam in prepress and second place to meet ...

the cold nights freeze me the body and do not intend to freeze .. the heat of writing with my desire blood suegir fans looking forward ...

Where To Get Driver License Renewal In Columbus



...

Tuesday, April 17, 2007

Long Travel Mini Sand Rail

New hypothesis of constructions of pyramids of Gizeh

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HYPOTHESIS OF CONSTRUCTION OF THE PYRAMIDS OF GIZEH

(FROM SHORT SPANISH VERSION)

HIPÓTESIS DE CONSTRUCCIÓN DE LAS PIRÁMIDES VALLEY OF GIZA

(BRIEF)

Author / Author: Mr. Carlos E. Rodriguez Varona

coauthored / Co-author: René Téc Damaso Rodriguez Vives

LICENSE UNDER ALL RIGHTS RESERVED No. 90-2003 OF CENDA, LA HABANA, CUBA.

Rights reserved under the CENDA Lic No. 90-2003

e-

mail: crvcrv21@yahoo.com , crvcrv21 @ gmail. com

Ph. / Tel.: 274 247 (Camagüey, Cuba)

SUMMARY/SUMARIO:

THE FOLLOWING HYPOTHESIS PRETENDS TO DEMONSTRATE THE PROBABLY TECHNIQUE USED BY ANCIENT EGYPTIANS TO BUILD, SPECIALLY TO ELEVATE AND PLACE TO SOME HIGH, ALL THE CONSTRUCTIVE ELEMENTS THAT COMPOUNDS THE EGYPTIAN PYRAMIDS OF GIZEH VALLEY, IN SPECIAL THE CHEOPS PYRAMID. THEREFORE IT IS EXPOSED A THEORY THAT USES TWO TYPES OF RAMPS: THE FIRST ONES WHICH ARE PLACED INNER OF THE PYRAMIDS, BUILT-IN WITHIN THE BODY OF IT WHICH HAVE A STATIC CHARACTER; AND THE SECOND LITTLE ONES WHICH HAVE MUCH DIMENSIONS COMPARED WITH THE FIRST ONES, HAVING A DYNAMIC CHARACTER AND BOTH AT SAME TIME AND VARIABLE FLEXIBLE STRUCTURE, OR TRANSPORT TO BE EASILY MOVED FROM ONE SIDE TO COMPARED WITH OTHER BEFORE THE RAMPS, PLACE OVER THE STEPS OF THE LEVELS OF THE PYRAMID. BOTH HAVING A PARTICULAR RAMPS AND FUNDAMENTAL PROPERTY: A VERY SHORT ANGLE OF SLOPE, ALMOST NULL, OF 3.9 DEGREES OF INCLINATION.

This hypothesis aims to show the probable construction technique, specifically the elevation and location at a certain height, the building blocks that make up Egyptian pyramids of Giza Valley, specifically the pyramid of Cheops. It contains a theory that uses two types of ramps: the static character, located within the body of the pyramid, built with the body of it, and other smaller dynamic, located on the steps of levels, flexible and variable structure, easy to move and maneuver over previous. Featuring both a near-zero inclination angle on the slope.

Article / Section:

The goal of this investigation to treat Consists Probably to expose the Technique Used by the ancient Egyptians to build the pyramids, Mainly the Cheops pyramid, using ramps to elevate the constructive elements.

The aim of this paper is state the likely technique used to build the pyramid using ramps to raise the pieces.

These pieces are placed so interwoven, overlapping, so are subject - or bitten - by the mass that is firm and evenly distributed over permanently. This implies that use ramps to respond to this form of structure. References appear in the general foundations of the previous theories regarding the use of ramps.

This hypothesis has 4 features that are totally new concepts regarding the above hypotheses using ramps:

· The small size they have about the pyramids and tilt angle they have almost no respect to the horizontal plane of 3.9 degrees.

· The space where it develops this hypothesis are the steps and edges of the levels of the pyramid.

· The first type uses ramp ramps, platforms and supports that are placed on the steps that make up the levels, amount varies depending on the height and type of element rise.

· The second type uses small sections of the edges of the levels that increase in length and depth in the advanced level according to the construction of the ramp, commensurate with the size required to have the same.

The initial model building is performed using the following procedure: taking the approximate dimensions of the building blocks of the pyramid, using basic geometric shapes, a brief physical reasoning - mathematician and length measures common at the time , choosing a right angle to the slope that enables almost completely nullify the action of gravity; made a ramp that meets two basic conditions:

· Transforming work to raise the blocks to overcome the frictional force to overcome drag, and not the action of gravity on them.

· blocks Ability to move comfortably, safely and quickly, making it possible to perform complex maneuvers with minimal risk.

These two conditions, mandatory for the two types of ramps, are the theoretical assumption underlying this hypothesis.

the specific case of the model ramp pattern made to determine the angle of the slope, the measures used were - using the Bible as elbow length:

· initial height: 0.45 meters (1 elbow)

· final height: 2.70 meters (6 bends, including initial height),

· length of ramp 33.75 meters (75 cubits),

· Width (optional): 1.8 meters (4 bends) - (width varies with height in the case of the second type)

By the right triangle theorem of Pythagoras, is determined the angle of inclination to take the slope, regulated in this way the desired result. At random: no specific procedures used to calculate it. The same is reflected in the annexes. The measures are chosen according to the need to raise objects up to a certain height and position. It can be seen how to design ramps of different lengths as above in the annexes. dimensions and inclination angle have ramps are greater than they really could have been avoided discussing issues associated with actual measurements. This also applies to the second type of ramp.

The first type has a complementary structural assembly comprises two horizontal platforms: the first aimed to locate the blocks, as an intermediate between the ramp and level off the same to be placed later on that level or elevate located alongside the other ramp, and the second as a support to hold the ramps and platforms that extend beyond the steps. Fundamental characteristic is the almost zero angle: 3.9 degree slope to the horizontal plane. The same is obtained from the dimensions of the model ramp pattern. This means working almost entirely horizontal surfaces.

obtained in this way is an effective way to lift objects of any size from one height to another, using a ramp system capable of varying their size quickly by using more than one level as a support to meet existing needs . This allows combine multiple sets in order to use them in combination to increase the elements in complicated sections. This appears as exemplified in the figures. This quality becomes very valid in the case of construction of the chambers and inner chambers, the highest levels of the pyramid, the finish of the faces and to correct flaws or details for the construction process.

filling process steps at the top, where they allegedly do not fit the length so the edges have reduced levels compared to the length you have ramps, is done vertically. That is, spaces are filled the lower levels where the ramp so that the filled sections correspond to the vertical plane of the same.

The first type is essential when designing the pyramid because of the quality that characterizes it: it is easy to move structure, although it is considerably the number of its component parts. This enables completely dismantled at any time of construction to relocate. Stop being a static object, allowing complex designs and given its broad possibilities to vary its size, fits easily into place, position and maneuver required during the construction process.

The second is to implement the above using a new variant: using ramps equal but larger dimensions, combined with the body of the pyramid . These ramps would be used on a large scale to perform the most work, used to transport the largest number of blocks and construction elements. The height is expressed by the number of occupied levels, which obey the demand to move more quickly on the job.

The length should be adjusted to keep the slope angle of 3.9 degrees since the aim is to overcome the force of friction and no gravity . Big long ramps are constructed using sections taken from the edges of the levels, close to the steps of the pyramid, but located on levels. Have long lengths compared to previous rate, initially close to 80 meters as shown in the chart. Y The initial height is similar to the first type: a high elbow.

sections edges levels - or corners, as the case - literally ramps are absorbed by the latter as they are built, or SIN G as a platform for ramp bear lower levels. As the pyramid becomes the way to up the pieces, without steps or platforms.

blocks are taken from certain sections of the edges of the levels to build the foundation of what will be the ramp. The amount taken horizontally at each level decreases as the ramp is built, because the length of it decreases as height increases. The direction of the ramp depends on the initial path taken.

volume occupied by the ramp itself is made up part of the slope only, that is, volume limited under section between the slope and the horizontal plane corresponds to the ramp itself. The remainder will be blocks of levels. The width of the ramp is equal to the number of blocks or steps, to allow carrying several items at one time or other larger scale. The ramp is built in to the interior of the pyramid as it progresses in the construction, through a route that interconnects them, keeping the slope of 3.9 degrees. Resembling a huge step side with a zig-zag into the pyramid. This allows you to move any parts that make up the pyramid, regardless of the size and / or mass to be held, to a certain height.

If there is need to change the sense of direction because it interposes an obstacle: a passage, a camera, a failure or accident, a corner, or other detail, determines whether it is necessary to change the effect, dimensions continuar sobre una cara u otras, o reemplazarlas por las del primer tipo, etc. , brindando un proceso bastante dinámico. Pero teniendo en cuenta que una vez construidas no es posible volver hacia atrás pues los bloques que componen el cuerpo de las rampas no se pueden quitar ya que forma parte de lo que ha sido construido.

El segundo tipo de rampa resulta de fusionar las del primer tipo repetidas varias veces una al lado de la otra en varios niveles; aprovechando como plataformas de soporte para los elementos constructivos y para las anteriores rampas, los bloques que se encuentran al final de las rampas montadas sucesivamente y los que quedan por debajo de las secciones tomadas en los bordes de los niveles, respectively. be used to build most of the pyramid. When it reaches a height where there is no space to install its dimensions are reduced. And when you can not further reduce the dimensions are replaced by those of the first type. This also includes the ability to combine, temporarily or not, the two types of ramps to overcome obstacles and implement specific construction techniques.

It is advantageous to devote a section or a fixed area of \u200b\u200bthe face to work with the ramps. This facilitates the design and planning work, as the sections used are easier to control, reserving the use of the remaining sections for possible problems or changes in design.

All this allows to draw up a model of the pyramid to determine how it will be built, where the ramps are placed and how they are used.

Upon reaching the top of the pyramid - which includes Pyramidone - used the first type of ramps and eventually filled the spaces used by the ramps of the second type. The latter operation is performed in descending order using the first type: the first type of ramps are used permanently in the final stage.

Planning rightly, it has a margin of error makes decisions or modifications necessary to overcome, allowing to run actions in line with the needs and possibilities.

This work tries to expose a concrete example that shows the exact procedure to build the pyramid, which will specify the use of two types of ramps, for ramp the two models presented here can be variants using dissimilar techniques used at any construction site employing ramps. It includes annexes relating to the final for this purpose: used as a guide to develop a specific and accurate construction process. The objective of this scenario is only to convey the technique, not the procedure.

bibliographical references / REFERENCES

I. Aldred, Cyril, Emergence of the Kings - gods. First flowering of ancient Egypt. / Piggott, Stuart, The Awakening of civilization. The enigma of the old cultures revealed, Ed Labour, SA Barcelona, \u200b\u200bSpain, 1963.

II. Digital Encyclopedia / digital Encarta Encyclopedia, 2000 Edition / 2000. Microsoft Corporation.

III. Moreux, T. (Abate), The mysterious science of the pharaohs , Ed Sabian, Buenos Aires, Argentina, 1956.

IV. Pijoan, Joseph, Egyptian art to the Roman conquest / Summa Artis: Historia general art, Ed. Espasa - Calpe, SA, Vol III. Second edition, Madrid, Epana, 1945.

V. Web site / Website: Touregypt : http://www.touregypt.net/antiq.

VI. Web site / Website: Library of Congress of the United States : mailto: lcweb.loc.gov.

VII. Web site / Website: Zaragoza University Library: http://wzar.unizar.es

VIII. Stadelmann, Rainer, pyramids, colossal engineering , Rev. "The UNESCO mail " number The Egypt of the Pharaohs , Ed Maury - Imprimeur SA, year XLI, September 1988.

ANNEXES / ANNEXES

DATA TABLE FOR THE CALCULATION OF THE USE OF RAMPS (REGARDLESS OF THE TYPE)

Calculation for N-cubits high, the length of the ramp, with respect to the angle of the slope (3.9 degrees), taking into account the total height does not contain the A1 (0.45 meters):

Formula:

Length (D) = (height) / (cot (angle))

calculation to determine the height to which you can use the ramp:

Formula:

Height (A) = ((230.4 / 2) - (length ramp / 2)) / (146.6 / (230.4 / 2))

Table of results:

Size:

Height (H):

Length (D):

height in the pyramid:

a codon

0.45

meters

6.6008

meters

82.6697

meters

second codon

0.90

meters

13.2017

meters

80.2314

meters

3 Codó

1.35

meters

19.8025

meters

77.7931

meters

4 Codó

1.80

meters

26.4034

meters

75, 3548

meters

5 Codó

2.25

meters

33.0042

meters

72.9165

meters

6 Codó

2.70

meters

39.6050

meters

70.4782

meters

7 Codó

3.15

meters

46.2059

meters

68.0399

meters

8 Codó

3.60

meters

52.8067

meters

65.6016

meters

9 Codó

4.05

meters

59.4075

meters

63.1633

meters

10 Codó

4.50

meters

66.0084

meters

60.7250

meters

11 Codó

4.95

meters

72.6092

meters

58.2867

meters

12 Codó

5.40

meters

79.2101

meters

55.8484

meters

Note: The width of the ramp depends on the needs to transport objects, from a minimum width equal to twice that owns the object to be transported.

Parameter Estimates DE LA Ramp STANDARD

Calculations ramp

Parameters:

initial ramp height: A1:

0.4500

Meters

final de la chute Height: A2:

2.7000

Meters

Longitud de la chute: B:

33.7500

Meters

width of ramp L:

1.8000

Meters


formula to find the angle of inclination:

Angle (ƒ) (ƒ) = Arcot (B / (A2-A1)) = 1/Arctan (B / (A2 -A1));

where: cot (ƒ) = (B / (A2-A1))

cot (ƒ) = 1/tan (ƒ) =

15.0000

(ƒ)=

3,9054